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In The Cambridge Companion to Vermeer (2001).

Of Vermeer in Twentieth-Century America” (co-author with Marguerite Glass), The Court: Van Dyck and the Ideals of the English Monarchy,” in Vanĭyck 1599–1999: Conjectures and Refutations (2001) and “The Appreciation Time: Recent Perspectives (1997) “The Queen, the Dwarf, and The Creation of a Myth,” in Rembrandt, Rubens, and the Art of their Talk: Studies in Honor of Seymour Slive (1995) “Rembrandt Self-Portraits: He has written articles and essays such as "The Story of Two Vermeer Forgeries," in Shop National Gallery of Art catalogue, Dutch Paintings of the Seventeenth Century (1995).

Vermeer (1981) Vermeer and the Art of Painting (1995) and the Number of books such as Perspective, Optics, and Delft Artists around 1650 (1977) Jan Wheelock, who has lectured widely on Dutch and Flemish art, has written a He was appointed curator of Dutch and Flemish painting at the National Gallery in 1975. At the same time, he began his teaching career at the University of Maryland, where he is professor of art history. Finley Fellow, after which he was named research curator. He came to the National Gallery of Art in 1973 as the David E. "About this title" may belong to another edition of this title.Biography: Arthur Wheelock Curator of Northern Baroque Paintings at the National Gallery of ArtĪrthur K. Given the popularity of the exhibition, large public libraries will also want to purchase.Ĭopyright 1996 Reed Business Information, Inc. Although some claims made about the artist lack written documentation, this carefully researched work is recommended for fine arts collections. The excellent, full-size color plates are accompanied by brief descriptions of provenance, exhibitions, and technique. The essay on the artist's use of perspective is the most remarkable because it enables the reader to understand the technician behind the artist X-radiographs, included throughout the book, detail how Vermeer used a pin and a string to exercise his near-perfect perspective in his paintings.

Through the bits of evidence gleaned from Vermeer's life and 17th-century historical fact, Wheelock has pieced together Vermeer's artistic and geographical influences. To coincide with the exhibition, curator Wheelock has put together a thoroughly researched catalog of the exhibition's 23 works. Despite the federal budget crisis and thanks to private monies, the Vermeer exhibition at the National Gallery is underway.